A bit of a late update from me this week as yesterday got away from a me a bit. Progress has been slow on various projects but at least it’s being made. My Ogopogo sock has reached the heel. Remind me never to cast on cable socks again. I know I said it last time but I forgot. I love the pattern but it’s slow progress for me. I think I will cast on a second, easy project to do while I’m watching television. Trying to watch the Vigil finale last night and make progress with a cabled sock was just too much!
As with previous weeks I’ve been making progress with my online spinning workshop with SweetGeorgia Yarns. I’m really enjoying this as it’s been a great opportunity to try out new things. I generally spin fibre as it comes. It would never really occur to me to try to change the preparation of a bought fibre to alter how I spin it, or to change how the colour works when spun, or even (the horror) put different coloured braids together and alter someone’s carefully thought out colour scheme.
Last week we experimented with soaking fibre in warm water and drying it before spinning. The purpose of this is to reinvigorate fibre which may have lost its crimp in processing or storage, and to make it a smoother, loftier spin. I only tried this with some undyed BFL I had (it’s not supposed to work as well with dyed fibre) but it did make quite a difference in terms of the loftiness of the finished fibre.
I’m not sure that you can really tell from this photo but the final sample skein was spun from pre-soaked fibre which was then soaked again after spinning to set the twist. The finished result is definitely lighter and fluffier than the non-soaked but similarly finished skein. This might be something I’d do again with older braids I’ve had crushed up in storage boxes under the bed.
I’ve also been experimenting with twist and ply. This is some of the sampling I’ve done so far. Next on the list is to try with some sock yarn techniques, I’m interested in trying out the opposing 3-ply technique where one of your singles is spun in the opposite direction before being plied with the other two.
I think what’s struck me most about the course so far is that there is genuinely a reason why yarn doesn’t want to be a particular project (I mean a reason other than I saw something I liked better a few days after casting on). I’m happy with the idea that certain yarns have drape or loft, but I’m getting a better idea now of why two, three, or four ply yarns suit certain projects better depending on whether it is lace or cables, or why high or low twist yarns might alter a project. Hopefully this will help me with deciding what commercial yarns will work better for a specific project. Or maybe I’ll just by multiple skeins anyway!
Ceulan Fibres 